"Théâtre de la Gaîté Montparnasse" Tango Show

During the preparing the show we make friendship with Valeria, she don’t pay me but got for me a place at the hotel of Madame Renaud “Rue Malebranche” near The Pantheon there lived a gay couple (one of them called Segovia) members for the Rodriguez Arias group, this pair years later mounted at New York a Tango Show who was put on the global fashion, but at this time they working other area of spectacle. I lived there all the time was during my work with this woman. We started with the design of the scene dress, this one was black sequin straps "V" neckline, back shoulders and arms naked, along with a little dragged like The Copenhagen Mermaid" shape. After was the combing, forward the back bonding by gel . How she had a beautiful big mouth I decided that was painted on the more strong red possible. I put the orchestra on the back left side occupying a third of scene leaving the rest for Valeria. The Musicians was three Piano, Bandoneon and Flute entirely in black too. This woman was best actress as singer (after four or five presentation she loses the voice) She was move around all scene, taking profit for dramatic place at each text of the Tangos. A good complicity with follower reflector was the last key for the success. I remember we go together two or three days a week testing to the house for a costume theatre designer, was a pavilion on a private street on the eighteen Borough, the hall where we testing was completely covered by mirrors, the ceiling too, an black concert piano at centre the window dressed with a black lace-embroidered with black sequins. How we can see we are not very far for our staging. The owner for this site keeping there a fantastic collection for Russian Ballet costume for the twenties-thirties. Was in this atmosphere where we conceive the 1976 "Théâtre de la Gaîté Montparnasse" Tango Show. That was the time for military dictatorship our Bandoneonist, Juan Jose Mosalini was exiled, we have a very good critical for the left wing press, only the varieties comments for "L'Aurore" was contrary. I make good contact with Press Releases "Attaches de Press" one of them Bernadette Vitrac proposed me go to work with, after the show was finish. The mission for this work was Entirely Preparing the press campaign before an after a spectacle start. Organized premieres and go to see the current choice shows for the next works. That make me write in French and speak with the critical, I arrived to build a good relationship with Jean Claude Català from "La Vie Ouvriere" weekly magazine of "L'Humanite" organ go The Communist Party of France, this one had a cultural branch called "Le Chant du Monde" who edited several CD with the Valeria Tangos, and not only that they organized show tours around all the cultural houses in the left wing hands at France entirely. Valeria works many years with this success.